Forgotten Architect Gets a Stage: Musical Celebrates St. Paul’s Clarence “Cap” Wigington

St. Paul, MN – A new musical at the History Theatre is shining a spotlight on a largely overlooked figure in Minnesota history: Clarence “Cap” Wigington, the state’s first Black municipal architect. “Rollicking! A Winter Carnival Musical,” running through December 21st, weaves Wigington’s story with the fantastical lore of the St. Paul Winter Carnival, offering audiences a vibrant blend of history, music, and a touch of Minnesota magic.

A Legacy in Stone and Steel

Wigington’s impact on the St. Paul skyline is undeniable. Over a career spanning decades, he oversaw more than 90 city projects, from beloved landmarks like the Highland Park Water Tower to schools, fire stations, and park pavilions. Yet, despite his prolific contributions, Wigington’s name remained largely absent from mainstream historical narratives.

“Despite his notable contributions to the St. Paul city skyline — he served as lead architect on more than 90 city projects — Wigington has become a relatively unknown figure in Minnesota history,” notes the original reporting from Twin Cities. This musical aims to change that, bringing his story to a wider audience and acknowledging a significant, yet previously understated, chapter in the city’s architectural and social history.

Actor Roland Hawkins II, who powerfully portrays Wigington in the production, emphasizes the importance of reclaiming these forgotten narratives. “We’re all taught the same four or five civil rights leaders, and that’s pretty much all the contributions, especially African American or most minorities, know about what they gave to the greater society,” Hawkins explained. He added that the tangible nature of Wigington’s work – buildings people use daily – makes his story particularly resonant.

From Architectural Innovation to Civil Rights Advocacy

Wigington’s story extends far beyond blueprints and building permits. Facing systemic racism, he was initially denied entry into the Minnesota National Guard during World War I. In response, he co-founded the Home Guards of Minnesota in 1917, an all-Black militia dedicated to protecting the community. He also established the Sterling Club, the oldest African American men’s club in the United States, fostering a space for fellowship and advancement within the Black community.

These acts of resilience and community building are woven into the fabric of the musical, portraying Wigington not just as an architect, but as a multifaceted leader who actively fought for equality and opportunity. His nickname, “Cap,” originated from his rank of captain within the Home Guards, a testament to his leadership and dedication.

Blending History with Myth: The Legend of Boreas Rex

The musical ingeniously intertwines Wigington’s biography with the enchanting legend of King Boreas Rex, a central figure in the St. Paul Winter Carnival. Created in 1937 by businessman Frank Madden, the myth explains the magic behind the annual celebration, depicting a battle between King Boreas, Queen Aurora, and the forces of winter and spring.

“I felt it would be wrong to tell the story as just a straightforward retelling of the founding in 1886,” explained Keith Hovis, the show’s composer. “The myth of King Boreas in the festival is so fun and weird and whimsical that the show should be fun and weird and whimsical too.” This approach, likened to a Minnesotan “Wizard of Oz,” allows the production to explore themes of identity, belonging, and the power of imagination.

A Collaborative Creation

“Rollicking!” is a testament to the power of collaboration. Hovis partnered with book writer Rachel Teagle, with Hovis focusing on the musical elements and Teagle crafting the spoken dialogue. The creative process was deeply iterative, incorporating feedback from the cast during rehearsals. “It’s been a long, ongoing process full of communication,” Teagle shared, recalling countless brainstorming sessions at a local St. Paul coffee shop, Gingko’s.

Why This Story Matters Now

The revival of Wigington’s story comes at a crucial time. According to data from the Bureau of Labor Statistics, as of 2023, only 7.4% of individuals in construction and extraction occupations are Black or African American. Highlighting the achievements of pioneers like Wigington is vital for inspiring future generations and addressing ongoing disparities within the architectural and construction fields.

Director Laura Leffler emphasizes the enduring relevance of Wigington’s legacy. “Even today in 2025, many of his buildings still stand in St. Paul and are common landmarks that everybody still uses and sees every day,” she said. “It’s a pretty outstanding legacy.” “Rollicking! A Winter Carnival Musical” isn’t just a celebration of the past; it’s a call to remember, to honor, and to build a more inclusive future.

‘Rollicking! A Winter Carnival Musical’

• What: An exploration of the story of St. Paul architect Clarence “Cap” Wigington and his wife, Viola
• When: Through Dec. 21
• Where: History Theatre, 30 East 10th St., St. Paul
• Tickets: For ticketing and more information, visit historytheatre.com